Updated Dickens tree! We’ve added some ornaments/readers for Sunday’s What the Dickens? event (Scoutmob and TONY think you should come). Full list of readers is below (in the order they are reading, if you want to catch someone in particular), it’s going to be great this year. We’ll kick things off with caroling from the New York City Master Chorale at noon; the reading will start at 1PM. Drop in or stay for the whole thing; we’ll be keeping you fueled with festive treats from our cafe, hot chocolate, mulled wine, and more. BAH! HUMBUG!
Simon Van Booy
Emily Gould
Stefan Block
Martha Southgate
Lev Grossman
Scott Adsit + John Hodgman
Susan Minot
Baratunde Thurston
Jill Hennessy
Alexander Chee
Eileen Myles
Kathryn Harrison
Said Sayrafiezadeh
Elissa Schappell
Ira Glass
Laura Miller
Emma Straub
Justin Taylor
Lynne Tillman
Jonathan Dee
Aryn Kyle
Michael Kostroff
Julie Klam
Mike Albo + Sandra Bauleo
Kurt Andersen
Elyssa East
Josh Cohen
Lorin Stein
Eve Plumb
David Goodwillie
Though Tomalin’s breadth of knowledge is wonderful, it is the clarity of the writing and the absolute singularity of purpose that made this such a delightful book: Tomalin wants to explain. She does not want to tell you how clever she is, how much research she had done, nor engage in controversy or best anyone. This is an exploration of Pepys, not an academic cockfight.
Denise Mina selects Claire Tomalin’s Samuel Pepys: The Unequalled Self for her Year in Reading feature.
[Image]
5 Christmas Novellas by Charles Dickens
1. A Christmas Carol. London: Chapman & Hall, 1843. [viii], 166, [2] pp. Four hand-colored engraved plates and illustrations in the text by John Leech. FIRST ISSUE.
2. The Chimes. London: Chapman and Hall, 1845. [viii], 175, [1] pp. Additional engraved title, frontispiece, illustrations throughout by John Leech, Richard Doyle, and others. FIRST STATE.
3. The Cricket on the Hearth. London: for the author by Bradbury and Evans, 1846. [viii], 174, [2] pp. Additional engraved title, frontispiece and illustrations throughout by John Leech, Richard Doyle and others. FIRST EDITION.
4. The Battle of Life. London: Bradbury & Evans, 1846. [viii], 175, [3] pp. Additional engraved title, frontispiece, illustrations throughout by Daniel Maclise, Richard Doyle, John Leech and others. FIRST EDITION.
5. The Haunted Man and the Ghost’s Bargain. London: Bradbury & Evans, 1848. [viii], 188 pp. Additional engraved title, frontispiece and illustrations throughout by John Tenniel, John Leech and others. FIRST EDITION.All bound in full crimson morocco, spine gilt, upper covers with morocco inlay vignettes depicting characters from each of the works, a.e.g., all with original cloth bound in at rear, for Henry Sotheran. Custom cloth slipcase. Mild fading to original cloth on some volumes, spines somewhat sunned.
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“Some new remembrance of the ghostly figures in the Bells; some faint impression of the ringing of the Chimes; some giddy consciousness of having seen the swarm of phantoms reproduced and reproduced until the recollection of them lost itself in the confusion of their numbers; some hurried knowledge, how conveyed to him he knew not, that more years had passed; and Trotty, with the Spirit of the child attending him, stood looking on at mortal company.”
-The Chimes, Chapter IV
JUST ANNOUNCED! Live From Home with Julia Nunes
Tuesday, January 17 at 8:00pm
Julia Nunes plays ukulele super hard, she sings her face off, and she turns terrible moods into toe tapping sessions. She’s most known for her videos, which serve as a window into the list of her favorite songs as well as a platform for her heart-wrenchingly honest originals. Several layers of voices and instruments comprise the reinterpretations of 90s pop songs and breath new life into those “oldies but goodies”. She’s covered Nat King Cole and N*Sync, and it’s impossible to just watch one. Audience members are willingly sucked into an alternate reality where everything is harmonized and ukulele-ized and Julia’s lyrics are somehow perfectly describing that feeling that has remained eluded by any song on the radio.
At age 22, Julia has a ridiculous amount of experience. She started writing songs at age 13 and performing them at open mic nights in upstate New York. From there she took a big jump into the opening slot of a Ben Folds tour. They both played solo sets but came together on the song that helped Ben find Julia in the first place. She had covered his song “Gone” in a video and he too was taken in, like so many before him. They took to the stage, adding her uke his piano as they harmonized to close the shows. Nunes has toured England and headlined countless US tours since then but she’s got a weakness for Bens. In November of 2011 she left for a two-month tour with Ben Kweller. She’s also shared the stage with Weezer, Matt & Kim, and Katy Perry. Not to mention she’s rocked the stage at the Bonnaroo Music Festival two years in a row.
Her crowd-funded album, Settle Down (release date: Feb 28, 2012) will be her fourth album of original material. She broke records on kickstarter.com, raising $78,888 and selling over 1,200 copies of Settle Down months before it was even finished being recorded.
Tickets available at Live From Home with Julia Nunes — Events — Housing Works.
Lookie here, it’s a birthday cake for Jane Austen by the fabulous Heather Baird of Sprinkle Bakes!
Who wants the first slice?
No, I mean, I love Sean Astin, and everything, but I was in the Catholic school system from second through thirteenth grade (Canada, you know), and was therefore forced to watch “Rudy” on rainy days at least sixteen, seventeen times.
No movie is more frequently screened for innocent…

![millionsmillions:
Though Tomalin’s breadth of knowledge is wonderful, it is the clarity of the writing and the absolute singularity of purpose that made this such a delightful book: Tomalin wants to explain. She does not want to tell you how clever she is, how much research she had done, nor engage in controversy or best anyone. This is an exploration of Pepys, not an academic cockfight.
Denise Mina selects Claire Tomalin’s Samuel Pepys: The Unequalled Self for her Year in Reading feature.
[Image]](http://25.media.tumblr.com/tumblr_lwayehJMLC1r6xvfko1_500.jpg)
![book-aesthete:
5 Christmas Novellas by Charles Dickens
1. A Christmas Carol. London: Chapman & Hall, 1843. [viii], 166, [2] pp. Four hand-colored engraved plates and illustrations in the text by John Leech. FIRST ISSUE. 2. The Chimes. London: Chapman and Hall, 1845. [viii], 175, [1] pp. Additional engraved title, frontispiece, illustrations throughout by John Leech, Richard Doyle, and others. FIRST STATE. 3. The Cricket on the Hearth. London: for the author by Bradbury and Evans, 1846. [viii], 174, [2] pp. Additional engraved title, frontispiece and illustrations throughout by John Leech, Richard Doyle and others. FIRST EDITION. 4. The Battle of Life. London: Bradbury & Evans, 1846. [viii], 175, [3] pp. Additional engraved title, frontispiece, illustrations throughout by Daniel Maclise, Richard Doyle, John Leech and others. FIRST EDITION. 5. The Haunted Man and the Ghost’s Bargain. London: Bradbury & Evans, 1848. [viii], 188 pp. Additional engraved title, frontispiece and illustrations throughout by John Tenniel, John Leech and others. FIRST EDITION.
All bound in full crimson morocco, spine gilt, upper covers with morocco inlay vignettes depicting characters from each of the works, a.e.g., all with original cloth bound in at rear, for Henry Sotheran. Custom cloth slipcase. Mild fading to original cloth on some volumes, spines somewhat sunned.
————————————————“Some new remembrance of the ghostly figures in the Bells; some faint impression of the ringing of the Chimes; some giddy consciousness of having seen the swarm of phantoms reproduced and reproduced until the recollection of them lost itself in the confusion of their numbers; some hurried knowledge, how conveyed to him he knew not, that more years had passed; and Trotty, with the Spirit of the child attending him, stood looking on at mortal company.” -The Chimes, Chapter IV](http://25.media.tumblr.com/tumblr_lw7sbzDMgr1qabm59o1_500.jpg)



